This is how you play the piano
The great joy of classical piano is being able to hear what you’ve been missing.
The great privilege is being a master at the piano.
It is a privilege and responsibility you have taken for yourself, not a privilege or a burden.
So the great joy is to be able to listen and feel that same musical energy as you are, without any distractions.
There is no pressure.
There are no pressures on you, no distractions, no worries.
You just enjoy the music, the feeling.
That is what the great piano players were talking about, they loved it, they were passionate about it, and they were happy to have it.
It was an incredible privilege.
It’s not like you can’t be a great piano player, but it’s not the same.
If you’re a good player, you can go out there and do the best you can and be as good as anybody else.
And there are plenty of great pianists out there, so that’s a plus.
But if you’re not that great, it’s probably not going to happen.
When I’m playing classical piano, I have a very different way of thinking about what I’m doing, what I want to do.
It doesn’t matter how well you play, if you don’t want to be a good pianist, if the piano isn’t the thing you’re passionate about, if that’s not your passion, then it’s never going to be your passion.
And that’s where the great musicians who have gone before me have fallen short.
They’ve done the same thing as I’ve done, they’re still doing it.
You don’t have to be great to be good at this.
But there are some things you have to know about.
You have to have a lot of respect for the music you’re playing.
If there’s one thing I know about my music, it is that the greatest things happen in the dark.
If I want it to sound great, I put a lot into the sound.
If it’s going to sound amazing, I’m not going into the dark, I am going into it.
I don’t do dark.
I do things in the light.
If that’s the music I play, I’ll be fine.
If the music is going to look great, and I want people to hear it, I want them to know what it’s about.
But that’s just my background, that’s what I do.
The music that comes out of my mouth doesn’t need to be the best.
I’m a perfectionist, I’ve had to learn that, I know that.
It wasn’t a good thing that happened to me, but that’s life.
And I don`t want to go back to the days when we were making music for the stage, the stage was for the audience, the audience was for us, and the stage is a place where we have to make music.
We`re not musicians, we`re actors, we have no control over how that music is made.
The musicians that come before me are very good, but they can`t do it.
If they do, they`re just going to leave us with a bad taste in our mouths.
It`s not good, that happens, it`s something you have no right to do, and it doesn`t happen to me.
But the thing that I have learned about the piano, the great pianist who is still playing is that I don´t think of myself as a pianist.
I have this incredible energy and I think of the music as if it`ll take me anywhere.
And if I’m really lucky, I`ll go to places that have that kind of energy, places where I feel like I can really get in there and create something really special.
I feel that when I play the music that I’m making, I create something that I want the audience to feel.
So that`s what I am, and that is what I love.
I can create a very specific kind of music, and then I create music that is going places that they can feel it.
And so that`ll be what I`m going to create.
I want a musical atmosphere that I can feel.
And to have that energy, I think I`ve got to have this confidence that I`re going to keep it going.
I`d like to create a kind of an atmosphere, so it feels like I am in control, and so it sounds like I have the power to make something that feels right.
I try to do the same with the music.
I think it`d be nice if I could have some control over the music and I can tell people what they can listen to and I could make a certain kind of sound that they`ll feel and enjoy.
But when I do that, it becomes an art.
So I think you have a great chance to be an artist, and